If Netflix’s New Pride and Prejudice Had an Indie Rock Soundtrack, Here’s What We’d Play

Netflix just dropped the cast for their new Pride and Prejudice adaptation, with Rufus Sewell as Mr. Bennet, Freya Mavor as Jane, Jamie Demetriou as Mr. Collins, and a whole crew of fresh faces and favourites like Fiona Shaw as Lady Catherine. The new Pride and Prejudice cast is all over our feeds, and honestly, we can’t wait for the drama, the romance, and the iconic side-eyes. But here’s the thing: while everyone’s talking about the costumes and the casting, I can’t stop thinking about one very important thing that no one’s really focusing on — the soundtrack.

And I'm thinking indie rock.

Okay, okay, hear me out. What if this wasn’t some dusty period drama where everyone just politely plays the piano in the background? What if we had something that captures Elizabeth Bennet’s sharp wit, Darcy’s brooding intensity, and all those simmering tensions in between?

Indie, alt and rock is where it’s at. It brings the grit, the edge, and the realness. It’s the perfect soundtrack for Elizabeth throwing side-eyes that say “try me,” and for Darcy trying (and failing) to hide his feelings behind a moody stare. Come on, we all know if Darcy were alive today, he would have had an emo past. And Bridgerton already did the whole modern pop songs thing.

So yeah, while we wait for the corsets and the carriage rides, here’s the playlist I’d want playing in the background of this new Pride and Prejudice if I were to give it a modern twist. Because if Elizabeth and Darcy are gonna steal our hearts again, they better have some killer tunes to do it with.

“No” — Fontaines D.C. (2020)
Gritty post-punk with poetic fire? A perfect match for Elizabeth Bennet’s rebellious streak and refusal to bow to societal pressure, if you ask me.

“It's Called: Freefall” — Paris Paloma (2022)
Paloma's voice is beautifully haunting, like that moment when Elizabeth finally lets her guard down. It’s vulnerable but fierce at the same time, and just perfect for a romance scene.

“Dangerous” — Sleep Token (2025)
A dark, atmospheric track that dives into complex emotions and longing, ideal for Darcy’s internal struggles.

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“Sleepyhead” — Jutes (2024)
Sleepyhead wraps you in a warm, hazy glow, with soothing vocals that mirror the sweet, unspoken affection between Jane and Bingley. Imagine them stealing moments away from the bustle of the ballroom, caught in a quiet conversation by a window? Yes. Sign me up.

“Cariad” — The Royston Club (2025)
Cariad feels like one of those stolen moments where the tension between Elizabeth and Darcy is just beginning to spark. The shimmering guitars and upbeat rhythm capture that flutter of attraction: electric, hopeful, and just a little bit nervous. Perfect for a scene where two characters are dancing around their feelings but haven’t quite said it yet.

So there you have it, the indie rock soundtrack Pride and Prejudice didn’t know it needed, but totally deserves. Get ready your corsets and sharpen your eyeliners for the release, girls. Until then, crank up the volume and let Jane Austen’s world collide with some seriously good songs.